Usually when exciting new finds are made in Pompeii, they’re the result of planned excavations. This time, construction of a ventilation shaft on the building of San Paolino, built in the 1840s and now the headquarters of the library of the Archaeological Park of Pompeii, accidentally exposed the tomb of an important military official who served under the emperor Augustus (r. 27 B.C. – 14 A.D.) during his last wars of conquest in Spain.
The construction first exposed two ends of a semicircular tomb of a type known as a “schola” tomb. Schola tombs have been found before in Pompeii. They consist of a semicircular bench made of volcanic tufa stone with lion paw terminals. The subsequent excavation revealed a large inscription on the curved back of the bench, expertly carved in very regular letters with remains of the original red paint inside them.
At the time of the eruption in 79 A.D., the tomb was decades old and so neglected that the monument was buried up to the bench. Even disregarded and forgotten, however, the inscription was still evident and legible when Vesuvius covered the city in death.
The inscription reads in large letters:
N(umerius) AGRESTINO N(umerii) F(ilius)
EQUITIO PULCHRO TRIB(une)
MIL(itum) PRAEF(ectus) AUTRYGON(um)
PRAEF(ectus) FABR(um) II D(uum) V(iro)
I(ure) D(icundo) ITER(um) LOCUS
It continues in smaller letters carved below the larger ones in the center of the back of the bench:
SEPULTURAE DATUS D(ecreto)
D(ecurionum)
This translates to: “To Numerius Agrestinus, son of Numerius, Equitius Pulcher, military tribune, prefect of the Autrygoni, prefect of the military engineers, Duumvir for the jurisdiction (i.e. holder of the highest magistracy in the city of Pompeii) twice, the place of burial (was) given by decree of the council of the city.”
Numerius Agrestinus appears in another inscription found in the necropolis of Porta Nocera, but it was created when he was still alive apparently by order of his wife, Veia Barchilla, a name of Spanish origin. Her husband’s funerary inscription, specifically the “praefectus Autrygonum” title, points to him having held important military positions during the Cantabrian Wars (29-19 B.C.), Augustus’ long and bloody conquest of the last independent Celtic peoples in Hispania, modern-day northwestern Spain. (The Autrygoni were tribespeople who inhabited northern Spain.)
After his stellar military career, he retired to Pompeii where he repeatedly held the highest office in the city, duumvir jure.
“Here we see the emergence of the network of power that connected the elites of the empire, whose members were asked to commit themselves in conflict areas, with the promise of economic rewards but above all of social prestige in the community of residence,” explains the director of the Archaeological Park of Pompeii, Gabriel Zuchtriegel . “Having held the highest office in Pompeii, the duumvirate, twice, and having been honored with a funerary monument on public land, are expressions of recognition and loyalty to someone who had literally fought on the front lines for the cause of the empire. The unexpected discovery of this monument is yet another example of how in Pompeii protection, research and enhancement are closely intertwined.”
You can really see the inscription, including the traces of surviving red paint, in this video which follows it in the round after it is exposed. It also conveys a particular challenge of Vesuvian archaeology: having to remove feet upon feet of lapilli, small pumice rocks that showered Pompeii in the first stages of the eruption.